Rebellion Day 2
Here’s the thing…a few thousand punks gathered together in a Northeastern English Seaside town in August 2015…why would that matter? Is it all nostalgia? An attempt to recapture, relive, or even reimagine youth?
The Q&A conversations provide an opportunity to hear first-hand reflections from some of the people who were there. Pioneers.
Jules Denby has lots to say. Se is also fantastically articulate about what it was like to try to break into the music industry in the post-punk era. To get New Model Army gigs she pretended to have he own agency…yet as she reflected on how hard it was to break into the inner circle of culture…she concluded that it is harder now. To her freedom of expression has become more difficult for young artists…it has become a declining circle of opportunities….now parents pay thousands of pounds to get their kids’ bands started. Never mind DIY.
Today’s highlights included a number of female-fronted bands. And the most positive thing is that the female musicians and singers didn’t appear to be pandering to some cliched idea of what ‘rock stars’ or ‘girls in bands’ should look like. These were young women worthy of respect…commanding respect.
In Evil Hour showed another way that punk had reinvigorated and inventing itself:by getting a blood infusion from heavy metal. The female singer had a great tuneful voice and wasn’t afraid to screech when the music called for it. A band with a kick and a punch….and looking comfortable on the main stage.
Brassick were also impressive….powerful, packing a blast of energy and exciting to watch. I know I am using the language of fighting to describe these bands and that seems appropriate when there are so few women being taken seriously by the music industry…or taking the brave decision to bypass it.
The Ruts DC in conversation with Alex Ogg was another highlight. I feel that punk’s history and legacy is in good hands with people like Alex around to research and champion it.
The Ruts DC were fantastic in conversation and just as impressive on both the acoustic stage and during their full electric set. They took the essentials of that early punk movement and made songs that were pared down to their essentials yet had room to breathe and have a deep rhythmic resonance. They always bring to mind Fugazi…that no-nonsense economical approach…nothing wasted…everything in the perfect place. It sounds easy but is meticulous. They both make music that stands the test of time.
The Gang of Four’s debut, Entertainment, was one of the great albums of the era. So different….so exciting….funk rhythm….dance music with considered lyrics…words that made us think about our consumption…how we lived…how we received our information…..isn’t that a fine legacy?
To sum up Jules Denby and to quote Segs from Ruts DC: this is about “people unite”! It is about a caring community. And what could be more inspiring than that?
Honourable mentions to the energy of Cynadie Pills, Arthur Brown who pioneered the theatre of heavy metal in the 1960s, and the Damned whose Neat Neat Neat and Smash It Up were still joyous after all these years.